
Showing posts with label Fantasia's Pastoral. Show all posts
Showing posts with label Fantasia's Pastoral. Show all posts
Sunday, January 31, 2010
Saturday, January 30, 2010
Friday, January 29, 2010
Crazy Idea

It's just the kind of parade of characters he would do; he worked on Fantasia, the film, especially that roly-poly god of the grape there in the middle; the cherubs and fauns are somewhat of his style—and what isn't in his style (such as the Fred Moore centaurette) may just have been his emulating the rest of the film's characters; and Kelly has made mention that he was an illustrator-for-hire before doing comic books. It was published by Simon and Shuster, Kelly's publisher for all his "three foot shelf of books".
Aaa, if you know differently, please let me know. It's really a nice cover, isn't it?
Labels:
Disney,
Fantasia,
Fantasia's Pastoral,
Mythology,
Walt Kelly
Fantasia Long Shot
A Fantasia concept long shot for panning, from grotto to far meadows and beyond. All these lovely ladies are "centaurettes". The lyre birds are lovely too.
Labels:
Disney,
Fantasia,
Fantasia's Pastoral,
Mythology
Fantasia Fauns and Nixies
Fauns are place spirits of untamed woodland and Nixies are the feminine spirits of fresh waters in sacred springs and rivers.
Labels:
Disney,
Fantasia,
Fantasia's Pastoral,
Mythology
Mystery and Decadence
Fantasia's pastoral conceptual artists developed a sense of mythological mystery and beauty and decadence that was scrubbed clean in production. I understand somewhat, because of the times and the intended audience, that caution had to be exercised. But still, to think of what might have been created in some alternate universe where maturity of theme is tolerated and appreciated by the masses.
Labels:
Disney,
Fantasia,
Fantasia's Pastoral,
Mythology
Thursday, January 28, 2010
Mythology to Muse Upon
This is one of my favorite concept production sketches of all time. This is mythology to muse upon. This is the world I want to be in. This is Fantasia as it could have been.
Let's Dive Right In

The Pastoral Symphony sequence, based on Beethoven's masterpiece, was/is my favorite. With its mythological subjects and locale, its a time and a land I would like to visit—but even more so if the film had been more loyal to the prep drawings such as the one above.
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