Donn Philip Crane

Some of you perhaps have enjoyed the My BookHouse set of early 20th century books that collected stories, tales and legends for kids to understand and appreciate. Perhaps you inherited them from family or perhaps have seen them in quality used book stores. The illustrations are fondly remembered by many, and most of those illustrations were primarily the work of one artist, Donn P. Crane, a man I have admired for many many years and yet knew ab-so-lute-ly nothing about . . . until now.

Mr. Jaffe over at Confessions of a Bookplate Junkie kindly sent over a Crane bookplate and a heads up. Through his site, a lot of information falls into place via a link (babylonbaroque. wordpress) where some of Crane's descendants are in contact, as well as with Mr. Jaffe.

You can find info about Crane by linking to those two sites, and you can look here for some large scans I've made of a few of the MANY Crane drawings I have collected, admired and treasured over the years. I can post many more if some of you show interest.

Crane was prolific in illustrating history, legends and fairytales, mostly for the My BookHouse series in the 1st third of the xxth century. He worked in pen and ink and for color was limited to using various shadings of 3 colors, which to me is fascinating and enjoyable. If he had chosen to illustrate a comic strip, he could have rivaled the artistry of the great Hal Foster. But he chose to help inspire generations of kids to understand the world around them.

Really, please tell me you want to see more of Crane's work.

Carried away by the witchery of the clever, fascinating Cleopatra, the coarse, pleasure-loving Antony, master of the eastern Mediterranean, at once becomes her devoted slave. All matters of war and policy are completely forgotten.

Isis beseeching the sun god Ra, on behalf of Osiris

After his defeat by Aetius at Chalons, Attila withdraws the remnant of his host to a fortified wagon circle. There he prepares a pyre of saddles and horse-furnishings, on which to sacrifice himself if about to be taken captive.

Frey, god of sunshine, on his golden boar whose bristles symbolize the sunbeams, and Freya, his sister, in her chariot drawn by cats. As goddess of love, Freya entertained lovers and married pairs in her palace after death. Cats, as symbols of purring affection were sacred to her as doves were sacred to Venus; but when Christian missionaries said that Freya was not a goddess, but a demon, the Northern people said she was leader of the witches who held their hag-like revels on a barren mountain-top on the horrid Valpurgis-night, and hence to this very day a witch is always shown as being accompanied by a cat.

Alfheim

A lovely bookplate created for the artist himself.

Courtesy of Lew Jaffe at Confessions of a Bookplate Junkie

Thanks Lew!