Continuing with the superlative production art from Disney's Pinocchio, we look at layouts for a film that was dark and moody—suPERB effects for visual storytelling.
The first one below is a back alley panorama by the great Gustaf Tenggren, created to put the animators in the right mood. Holy cow, I love this piece — evoking the setting of dreams and nightmares that I've had over the years.
Below is a resulting layout of action through the alley. Below is the foggy street where Geppetto looks for his boy. Below is one of the attractions on Pleasure Island, a nightmarish place that I think I would enjoy, except that I don' wanna be turned inna no jack-ass donkey!!! Below, did I say this film was dark? I meant it was DARK! Yay!
4 comments:
just as you said, some really dark works here
I've always wanted to go there myself. And I'm not so sure being a donkey would be that bad either.
Hi Thom,
I love this series of posts. Disney's Pinocchio is one of my favorite Disney adaptations along with Snow White. When I was in high school and college I got to "animate" Pinocchio in a whole different way. I was a seasonal Disney character, and though I usually was Minnie Mouse or Mickey Mouse, on rare, rare occasion I got to be Pinocchio.
Annie, that is so cool!
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