Monday, August 13, 2012
Cosmic Voyager
While we're in Neptune's domain, let's brave the swells of the briny deep and gaze in wonder at this cosmic voyager.
Labels:
cosmos,
Early XXth Century Graphics,
painting
Last Dime
If I was a kid in 1932, walking past the movie house and this poster was displayed, I'd spend my last dime to see the cartoon . . . and maybe stay for the Cagney gangster film afterwards, though I'd have nightmares that night fer sure, and I might even still be alive now, somewhere around 90, and I'd still give my last dime to see it again.
Labels:
Disney Studio,
movie graphics,
poster,
Silly Symphony
Sunday, August 12, 2012
Joe Kubert
I am horribly sad to learn of the passing of the legendary Joe Kubert, a man who seemed like a rock and would last forever.
Deepest condolences to his family, friends, fans and students.
Cats, Dogs, Goldfish & Other Dingbats
This is one of those amazing cartoon birds-eye views I was talking about in the last post. What a great display of cartooning, with a penman's salute to Krazy Kat's George Herriman.
Saturday, August 11, 2012
The River
Wow, this is one of those birds-eye view forced-perspective drawings where all the elements dwindle only slightly in size as they recede. You see this sort of thing in some old cartoons, where it's amazing enough, but to work somewhat realistically is really astounding. Where does an artist begin on such a piece as this?
Labels:
Early XXth Century Graphics,
pen and ink
Seductive
I am mesmerized by this 'simple' pencil drawing with its seductive selective lines, beckoning us to come ever closer.
Labels:
Early XXth Century Graphics,
Gustav Klimt
Friday, August 10, 2012
Thursday, August 9, 2012
Exotic Locales
Carl Barks took us on so many adventures with Uncle Scrooge and the boys. The exotic locales were always my favorite, yours too?
Labels:
Carl Barks,
Disney,
Donald Duck,
painting,
Uncle Scrooge
The Auditorial Arts
Eclectic is a term you can apply liberally to descriptions of this blog. From one subject and genre to another in a heartbeat, and now showcasing one of the Auditorial Arts: character voices. The best in the history of the art, in my opinion, is Mel Blanc. We're very used to hearing him voice most of the Looney Tunes cartoon characters, but here is a rare example of Mr. Blanc voicing Walter Lantz' Woody Woodpecker, usually voiced I believe by Mr. Lantz himself. This characterization sounds like a young Porky Pig without the stutter, but is such a delight.
I don't have the sound file on this blog, you'll have to click here to link over to a really cool web site that you'll want to explore and listen to. There are other Mel Blanc recordings, as well as a great assortment of other rarities, such as Walt Kelly, Boris Karloff, Shirley Temple, on and on.
Thank you Samuel for the lead.
What a great place the internet community is!
Labels:
Auditorial Arts,
Mel Blanc,
Woody Woodpecker
Ariel's Song
This Shakespeare guy has inspired one or two artists over the centuries, even reaching into the world of pulp magazines.
Labels:
pen and ink,
pulps,
Shakespeare,
Virgil Finlay
Wednesday, August 8, 2012
Film Magic
Who doesn't admire Ray Harryhausen's film magic, bringing creatures and skeletons and what-not to life in spooky fashion? The non-limited, but autographed, print below is a production drawing of one of his most famous sequences —The Seventh Voyage of Sinbad.
Labels:
movie graphics,
production painting,
Ray Harryhausen
Oddly Sweet
An oddly sweet little rendering used as a filler in Weird Tales by Hugh Rankin, one of the more interesting early cover artists for that pulp.
Labels:
Early XXth Century Graphics,
Hugh Rankin,
pulps
Tuesday, August 7, 2012
The Mermaid Song
Oh, I wish I was literate in the language of music that I might hum the tune to this old song. Those who can, let me know if it's catchy, will ya?
The Whip
I don't remember what story this is from, but Donn Crane made this illustration enjoyable enough that it could be an inspiration for a dozen different writers to go a dozen different directions with stories. I love the demon with the whip. Oh, I love it all. What a great composition with that whip traversing the panel.
Labels:
Donn Crane,
Early XXth Century Graphics,
Family Guy
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